CONTOUR, INTERVAL, AND PITCH RECOGNITION IN MEMORY FOR MELODIES

[1] Abrahams Roger D, 1968, ANGLO AM FOLKSONG ST

[2] Alan Merriam., 1964, ANTHR MUSIC

[3] BACH JS, 1950, WOHLTEMPERIRTE CLAVI

[4] DOWLING WJ, 1969, RECOGNITION MELODIC

[5] FUCKS W, 1962, IRE T INFORM THEOR, V8, pS225

[6] HARWOOD D, 1970, MUSICAL STRUCTURE EM

[7] NETTL B, 1956, J AM MUSICOLOGICAL S, V9, P196

[8] SHORT-TERM RECOGNITION MEMORY FOR SINGLE DIGITS AND PAIRS OF DIGITS [J]. JOURNAL OF EXPERIMENTAL PSYCHOLOGY, 1965, 70 (05): : 479 - 489

[9] RETI R, 1951, THEMATIC PROCESS MUS

[10] Tovey Donald Francis., 1956, FORMS MUSIC

[1] Abrahams Roger D, 1968, ANGLO AM FOLKSONG ST

[2] Alan Merriam., 1964, ANTHR MUSIC

[3] BACH JS, 1950, WOHLTEMPERIRTE CLAVI

[4] DOWLING WJ, 1969, RECOGNITION MELODIC

[5] FUCKS W, 1962, IRE T INFORM THEOR, V8, pS225

[6] HARWOOD D, 1970, MUSICAL STRUCTURE EM

[7] NETTL B, 1956, J AM MUSICOLOGICAL S, V9, P196

[8] SHORT-TERM RECOGNITION MEMORY FOR SINGLE DIGITS AND PAIRS OF DIGITS [J]. JOURNAL OF EXPERIMENTAL PSYCHOLOGY, 1965, 70 (05): : 479 - 489

[9] RETI R, 1951, THEMATIC PROCESS MUS

[10] Tovey Donald Francis., 1956, FORMS MUSIC