PITCH AND STIMULUS FINE-STRUCTURE

[1] BILSEN FA, 1969, ACUSTICA, V22, P63

[2] BOER ED, 1956, THESIS U AMSTERDAM

[3] BOER ED, 1961, ACUSTICA, V11, P182

[4] GOLDSTEIN JL, 1970, FREQUENCY ANALYSIS P

[5] CENTRAL ORIGIN OF PITCH OF COMPLEX TONES - EVIDENCE FROM MUSICAL INTERVAL RECOGNITION [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1972, 51 (02) : 520 - +

[6] HOUTSMA AJM, 1971, MIT484 RES LAB EL TE

[7] PERIODICITY PITCH AND PLACE PITCH [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1954, 26 (05) : 945 - 945

[8] LICKLIDER JCR, 1951, DUPLEX THEORY PITCH, V7, P128

[9] PHASE EFFECTS IN MONAURAL PERCEPTION [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1947, 19 (05) : 780 - 797

[10] EFFECTS OF RELATIVE PHASE AND NUMBER OF COMPONENTS ON RESIDUE PITCH [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1973, 53 (06) : 1565 - 1572

[1] BILSEN FA, 1969, ACUSTICA, V22, P63

[2] BOER ED, 1956, THESIS U AMSTERDAM

[3] BOER ED, 1961, ACUSTICA, V11, P182

[4] GOLDSTEIN JL, 1970, FREQUENCY ANALYSIS P

[5] CENTRAL ORIGIN OF PITCH OF COMPLEX TONES - EVIDENCE FROM MUSICAL INTERVAL RECOGNITION [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1972, 51 (02) : 520 - +

[6] HOUTSMA AJM, 1971, MIT484 RES LAB EL TE

[7] PERIODICITY PITCH AND PLACE PITCH [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1954, 26 (05) : 945 - 945

[8] LICKLIDER JCR, 1951, DUPLEX THEORY PITCH, V7, P128

[9] PHASE EFFECTS IN MONAURAL PERCEPTION [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1947, 19 (05) : 780 - 797

[10] EFFECTS OF RELATIVE PHASE AND NUMBER OF COMPONENTS ON RESIDUE PITCH [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1973, 53 (06) : 1565 - 1572