ABSOLUTE JUDGMENT OF MUSICALLY-RELATED PURE TONES

[1] BULL AR, 1968, THESIS QUEENS U

[2] PRACTICE EFFECTS IN ABSOLUTE JUDGMENT OF PITCH [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1968, 43 (05) : 1069 - &

[3] TRAINING ABSOLUTE INDENTIFICATION OF PITCH [J]. PERCEPTION & PSYCHOPHYSICS, 1970, 8 (5A): : 265 - &

[4] MUSIC RECOGNITION [J]. PSYCHOLOGICAL REVIEW, 1969, 76 (03) : 300 - &

[5] Garner WR., 1962, UNCERTAINTY STRUCTUR

[6] Helmholtz H., 1877, SENSATIONS TONE

[7] LUNDIN RW, 1967, OBJECTIVE PSYCHOLOGY

[8] THE INFORMATION OF ELEMENTARY AUDITORY DISPLAYS .2. [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1953, 25 (04) : 765 - 769

[9] THE INFORMATION OF ELEMENTARY AUDITORY DISPLAYS [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1952, 24 (06) : 745 - 749

[10] REVESZ G, 1953, INTRODUCTION PSYCHOL

[1] BULL AR, 1968, THESIS QUEENS U

[2] PRACTICE EFFECTS IN ABSOLUTE JUDGMENT OF PITCH [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1968, 43 (05) : 1069 - &

[3] TRAINING ABSOLUTE INDENTIFICATION OF PITCH [J]. PERCEPTION & PSYCHOPHYSICS, 1970, 8 (5A): : 265 - &

[4] MUSIC RECOGNITION [J]. PSYCHOLOGICAL REVIEW, 1969, 76 (03) : 300 - &

[5] Garner WR., 1962, UNCERTAINTY STRUCTUR

[6] Helmholtz H., 1877, SENSATIONS TONE

[7] LUNDIN RW, 1967, OBJECTIVE PSYCHOLOGY

[8] THE INFORMATION OF ELEMENTARY AUDITORY DISPLAYS .2. [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1953, 25 (04) : 765 - 769

[9] THE INFORMATION OF ELEMENTARY AUDITORY DISPLAYS [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1952, 24 (06) : 745 - 749

[10] REVESZ G, 1953, INTRODUCTION PSYCHOL