DIFFERENTIAL RESPONSES TO CYCLIC PHASE VARIATIONS IN COMPOUND SOUNDS

[1] The monaural phase effect with pure binary harmonies I. Frequency ratio 2 : 3 [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1930, 1 (03) : 385 - 402

[2] BEASLEY WC, 1931, J GEN PSYCHOL, V5

[3] BEASLEY WC, 1930, P 9 INT C PSYCH, P69

[4] BEASLEY WC, 1930, J ACOUST SOC AM, V1, P170

[5] BEASLEY WC, 1931, AM J PSYCHO IN PRESS

[6] DEMORGAN A, 1864, T CAMBRIDGE PHIL SOC, V10, P129

[7] Fletcher H., 1929, SPEECH AND HEARING

[8] GRAY AA, 1899, J ANAT PHYSL, V34, P325

[9] HARTRIDGE H, 1922, BRIT J PSYCHIAT, V13, P48

[10] HELMHOLTZ H, 1912, SENSATION TONE, P119

[1] The monaural phase effect with pure binary harmonies I. Frequency ratio 2 : 3 [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1930, 1 (03) : 385 - 402

[2] BEASLEY WC, 1931, J GEN PSYCHOL, V5

[3] BEASLEY WC, 1930, P 9 INT C PSYCH, P69

[4] BEASLEY WC, 1930, J ACOUST SOC AM, V1, P170

[5] BEASLEY WC, 1931, AM J PSYCHO IN PRESS

[6] DEMORGAN A, 1864, T CAMBRIDGE PHIL SOC, V10, P129

[7] Fletcher H., 1929, SPEECH AND HEARING

[8] GRAY AA, 1899, J ANAT PHYSL, V34, P325

[9] HARTRIDGE H, 1922, BRIT J PSYCHIAT, V13, P48

[10] HELMHOLTZ H, 1912, SENSATION TONE, P119