Balance abilities of professional dancers on select balance tests

被引:87
作者
Crotts, D
Thompson, B
Nahom, M
Ryan, S
Newton, RA
机构
[1] DEKALB MED CTR,REHAB RESULTS GRP,DECATUR,GA
[2] ADV PHYS THERAPY,PHILADELPHIA,PA
[3] THERAPY RESOURCES,SWEDESBORO,NJ
[4] TEMPLE UNIV,COLL ALLIED HLTH PROF,DEPT PHYS THERAPY,PHILADELPHIA,PA 19140
关键词
equilibrium; dancers; standing posture;
D O I
10.2519/jospt.1996.23.1.12
中图分类号
R826.8 [整形外科学]; R782.2 [口腔颌面部整形外科学]; R726.2 [小儿整形外科学]; R62 [整形外科学(修复外科学)];
学科分类号
摘要
Documentation that dancers have better balance abilities than nondancers is important because of the number of dancers who sustain injury and then are referred to physical therapists for treatment. The purpose of this study was to compare balance abilities of professional dancers with nondancers on selected balance conditions. Fifteen dancers and 15 age- and gender-matched nondancers maintained one-legged stance under six combinations of visual and support surface conditions (Foam and Dome Test modified from two feet to one foot). Each condition was maintained for 30 seconds. A composite balance score was obtained for each subject by summing the number of seconds the individual maintained balance for each test condition. There was a significant difference in the mean composite balance score (across the six balance conditions) for the dance group compared with the control group (731 seconds and 563 seconds, respectively). Under sensory challenged conditions, it appeared that dancers were better able to maintain their postures upright against gravity. The balance strategies and techniques learned by professional dancers should be carefully analyzed to determine if they could be incorporated into treatment programs for nondancers who have balance instability and dancers who are injured.
引用
收藏
页码:12 / 17
页数:6
相关论文
共 17 条
  • [1] Brandt T.H., Paulus W., Straube A., Vision and posture, Disorders of Posture and Gait, pp. 157-175, (1986)
  • [2] Cole S.P., Physical fitness, body image, and locus of control in college women dancers and nondancers, Percept Mot Skills, 72, pp. 91-95, (1991)
  • [3] Corsi-Cabrera M., Gutierrez L., Spatial ability in classic dancers and their perceptual style, Percept Mot Skills, 72, pp. 399-402, (1991)
  • [4] Cromwell S.J., The Effect of Test Order on Body Sway in A Series of Balance Tests, (1989)
  • [5] Debu B., Werner L., Woollacott M., Influence of athletic training on postural stability, Development of Posture and Gait Across the Life Span, pp. 280-298, (1989)
  • [6] DiFabio R.P., Badke M.B., Relationship of sensory organization to balance rune-tion in patients with hemiplegia, Phys Ther, 70, pp. 542-548, (1990)
  • [7] Kitamura F., Matasunga K., Field dependence and body balance, Percept Mot Skills, 71, pp. 723-734, (1990)
  • [8] Lee D.N., Lishman J.R., Visual proprioceptive control of stance, J Hum Mov Studies, 7, pp. 87-95, (1975)
  • [9] Mouchnino L., Aurenty R., Massion J., Pedotti A., Coordination between equilibrium and head-trunk orientation during leg movement: A new strategy built up by training, J Neurophysiol, 67, 6, pp. 1587-1588, (1992)
  • [10] Nashner L.M., Shupert C.L., Horak F.B., Head-trunk movement coordination in the standing posture, Prog Brain Res, 76, pp. 243-251, (1988)