Between preservation and tourism - Folk performing arts in contemporary Japan

被引：1

作者：

Hashimoto, H ^{[1
]}

机构：

[1] Chiba Univ, Chiba 260, Japan

来源：

ASIAN FOLKLORE STUDIES | 2003年 / 62卷 / 02期

关键词：

folk performing arts; Festival Law; tourist resources; intangible cultural properties; performance competitions;

D O I：

暂无

中图分类号：

I27 [民间文学];

学科分类号：

030304 ;

摘要：

This article considers Japan's folk performing arts (minzoku geino) as originally having been objectified through tourism. Through the case study of the rice transplanting ritual Mibu no Hana-taue, I examine the creative process through which the people concerned have gained their identity by using tourism as a resource to produce/reproduce the practice of folk performing arts. I conclude that we must consider the experiences and feelings of the people concerned in the folk performing arts in constructing notions of authenticity.

引用

页码：225 / 236

页数：12

共 11 条

[1]

[Anonymous], KORE HA MINZOKUGAKU

[2]

HASHIMOTO H, 1989, MINZOKU GEINO KENKYU, V10, P22

[3]

HASHIMOTO H, 1990, KOKURITSU REKISHI MI, V27, P363

[4]

HASHIMOTO H, 1989, HOSEI JINRUIGAKU, V4, P2

[5]

Hashimoto Hiroyuki, 1993, KADAI TOSHITE NO MIN, P3

[6]

MASHITA S, 1991, HIROSHIMA-KEN NO HAY

[7]

Ota Y., 1993, The Japanese Journal of Ethnology, V57, P383

[8]

SASAHARA R, 1993, KADAI TOSHITE NO MIN, P395

[9]

SHINFUJI H, 1956, TAUE TO SONO MINOZKU

[10] THE CULTURAL-PROPERTIES-PROTECTION-LAW AND JAPAN FOLK PERFORMING ARTS [J].

THORNBURY, BE .

ASIAN FOLKLORE STUDIES, 1994, 53 (02) :211-225

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