Hearing places, making spaces: sonorous geographics, ephemeral rhythms, and the Blackburn warehouse parties

In this paper we provide a consideration of sound and space. Much of the early literature on this topic, we argue, failed to conceptualise sound adequately. More recent literature has begun to explore more carefully the nature of sound and the aural sensing of the environment in its social, political, economic, and cultural contexts. Here we contribute to this exploration not solely by offering a theoretical consideration of sound but also by providing a detailed analysis of the ways in which one particular place, over a particular period of time, became involved in a new set of relations centred on sound. The place in question is Blackburn in Lancashire, England, where, in the late 1980s and early 1990s,'warehouse parties' revolving around 'acid house' music and the drug Ecstasy ('E') had a major impact on the town, in all manner of ways. By offering an empirical study as well as a more theoretical discussion on the relations between sound and space, we hope to demonstrate the significance of these relations to themes that have traditionally been regarded as central to geographical enquiry.