Perceiving stability in a changing world: Combining shots and integrating views in motion pictures and the real world

被引:68
作者
Levin, DT
Simons, DJ
机构
[1] Kent State Univ, Dept Psychol, Kent, OH 44242 USA
[2] Harvard Univ, Dept Psychol, Cambridge, MA 02138 USA
关键词
D O I
10.1207/S1532785XMEP0204_03
中图分类号
G2 [信息与知识传播];
学科分类号
05 ; 0503 ;
摘要
One of the central debates in the study of media concerns the relationship between our perception of real world events and mediated events such as motion pictures. A number of authors have argued convincingly that both rely on similar natural perceptual processes. Here we extend this argument by reviewing research on scene perception showing that the similarity between plm and natural perception includes a common tendency to perceive events as continuous in the face of large view-to-view inconsistencies. This research shows that observers are frequently unable to detect large unexpected changes that occur between views, even in objects within their focus of attention, This is true both in mediated stimuli such as motion pictures and during staged real-world interactions. Thus, perception of continuity may be an inference that proceeds in spite of impossible between-view changes, both in motion pictures and real-world scenes.
引用
收藏
页码:357 / 380
页数:24
相关论文
共 34 条
[1]  
Anderson JosephD., 1996, REALITY ILLUSION ECO
[2]  
[Anonymous], FILM EDITING
[3]  
[Anonymous], 1996, Post-Theory: Reconstructing
[4]  
[Anonymous], MY LAST SIGH
[5]  
[Anonymous], PSYCHOL MONOGRAPHS
[6]  
Arnheim, 1964, FILM ART
[7]  
BAZIN A, 1967, WHAT CINEMA
[8]  
Bordwell David, 1989, Making Meaning: Inference and Rhetoric in the Interpretation of Cinema
[9]  
Bordwell David, 1985, CLASSICAL HOLLYWOOD, p[1917, 50]
[10]  
Butler Jeremy G., 1995, CONTINUED SOAP OPERA, P145