Representing musical genre: A state of the art

被引：159

作者：

Aucouturier, JJ ^{[1
]}

Pachet, F ^{[1
]}

机构：

[1] SONY, Comp Sci Lab, F-75005 Paris, France

来源：

JOURNAL OF NEW MUSIC RESEARCH | 2003年 / 32卷 / 01期

关键词：

D O I：

10.1076/jnmr.32.1.83.16801

中图分类号：

TP39 [计算机的应用];

学科分类号：

081203 ; 0835 ;

摘要：

Musical genre is probably the most popular music descriptor. In the context of large musical databases and Electronic Music Distribution, genre is therefore a crucial metadata for the description of music content. However, genre is intrinsically ill-defined and attempts at defining genre precisely have a strong tendency to end up in circular, ungrounded projections of fantasies. Is genre an intrinsic attribute of music titles, as, say, tempo? Or is genre a extrinsic description of the whole piece? In this article, we discuss the various approaches in representing musical genre, and propose to classify these approaches in three main categories: manual, prescriptive and emergent approaches. We discuss the pros and cons of each approach, and illustrate our study with results of the Cuidado IST project.

引用

页码：83 / 93

页数：11

共 31 条

[1] Aucouturier J.-J., 2002, P 3 INT S MUS INF RE
[2] Bishop C. M., 1995, NEURAL NETWORKS PATT
[3] CHAI W, 2001, P INT C ART INT 2001
[4] DANNENBERG R, 1997, P 1997 INT COMP MUS
[5] DANNENBERG R, 2001, P 2001 INT COMP MUS
[6] DESHPANDE H, 2001, P 2001 DIG AUD EFF W
[7] Epstein JM., 1996, Growing Artificial Societies: Social Science from the Bottom Up
[8] ERMOLINSKIY A, 2001, MUSICAL GENRE CLASSI
[9] Eronen A., 2000, P IEEE INT C AC SPEE
[10] Content-based retrieval of music and audio
Foote, JT
[J]. MULTIMEDIA STORAGE AND ARCHIVING SYSTEMS II, 1997, 3229 : 138 - 147

← 1 2 3 4 →