On the automated recognition of seriously distorted musical recordings

被引:29
作者
Fragoulis, D [1 ]
Rousopoulos, G [1 ]
Panagopoulos, T [1 ]
Alexiou, C [1 ]
Papaodysseus, C [1 ]
机构
[1] Natl Tech Univ Athens, Div Comp Sci, Dept Elect & Comp Engn, Athens, Greece
关键词
automatic music recognition; distorted in frequency recordings; fuzzy logic and music; musical recording automated recognition; music pattern recognition; music processing;
D O I
10.1109/78.912932
中图分类号
TM [电工技术]; TN [电子技术、通信技术];
学科分类号
0808 ; 0809 ;
摘要
In this paper, a new methodology is presented for the automated recognition-identification of musical recordings that have suffered from a high degree of playing speed and frequency band distortion. The procedure of recognition is essentially based on the comparison between an unknown musical recording and a set of model ones, according to some predefined specific characteristics of the signals. In order to extract these characteristics from a musical recording, novel feature extraction algorithms are employed. This procedure is applied to the whole set of model musical recordings, thus creating a model characteristic database. Each time we want an unknown musical recording to be identified, the same procedure is applied to it, and subsequently, the derived characteristics are compared with the database contents via an introduced set of criteria. The proposed methodology led to the development of a system whose performance was extensively tested with various types of broadcasted musical recordings. The system performed successful recognition for the 94% of the tested recordings. It should be noted that the presented system is parallelizable and can operate in real time.
引用
收藏
页码:898 / 908
页数:11
相关论文
共 18 条
[1]  
Bosi M, 1997, J AUDIO ENG SOC, V45, P789
[2]  
BRANDENBURG K, 1994, J AUDIO ENG SOC, V42, P780
[3]  
DAVIS P, 1995, IEEE MULTIMEDIA SUM
[4]  
Handel S., 1989, LISTENING INTRO PERC, DOI DOI 10.2307/898748
[5]  
McNab R. J., 1996, Proceedings of the 1st ACM International Conference on Digital Libraries, P11, DOI 10.1145/226931.226934
[6]  
McNab R. J., 1997, D LIB MAG
[7]   COMPARISON OF MUSICAL SEQUENCES [J].
MONGEAU, M ;
SANKOFF, D .
COMPUTERS AND THE HUMANITIES, 1990, 24 (03) :161-175
[8]  
Moore B.C.J., 1997, INTRO PSYCHOL HEARIN
[9]   FREQUENCY DIFFERENCE LIMENS FOR SHORT-DURATION TONES [J].
MOORE, BCJ .
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1973, 54 (03) :610-619
[10]  
PIKRAKIS A, 1998, P EUR SIGN PROC C