Synchronizing with music: Intercultural differences

被引:45
作者
Drake, C [1 ]
El Heni, JB [1 ]
机构
[1] Univ Paris 05, CNRS, UMR 8581, Inst Psychol,Lab Psychol Expt,Ctr Univ Boulogne, F-92774 Boulogne, France
来源
NEUROSCIENCES AND MUSIC | 2003年 / 999卷
关键词
music synchronization; temporal organization; hierarchical structure; intercultural studies; musical training;
D O I
10.1196/annals.1284.053
中图分类号
O [数理科学和化学]; P [天文学、地球科学]; Q [生物科学]; N [自然科学总论];
学科分类号
07 ; 0710 ; 09 ;
摘要
The way in which listeners perceive music changes throughout childhood, but little is known about the factors responsible for these changes. One factor, explicit music training, has received considerable attention, with studies indicating that musicians demonstrate a more complex hierarchical mental representation for music and superior temporal organizational skills. But does acculturation-the passive exposure to a particular type of music since birth-also influence the acquisition of these skills? We compared the music synchronization performance of Tunisian and French subjects with music from these two contrasting musical cultures. Twelve musical excerpts were selected from the two popular music cultures, matched for perceived tempo, complexity, and familiarity, and subjects were asked to tap in time with the music. Tapping mode (rate and hierarchical level) varied with subjects' familiarity with the musical idiom, as evidenced by an interaction between musical culture and type of music: participants synchronized at higher hierarchical levels (and over a wider range) with music from their own culture than with an unfamiliar type of music. Thus, passive acculturation as well as explicit music tuition influence our perception and cognition of music.
引用
收藏
页码:429 / 437
页数:9
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