Emotional responses to unpleasant music correlates with damage to the parahippocampal cortex

被引:98
作者
Gosselin, Nathalie
Samson, Severine
Adolphs, Ralph
Noulhiane, Marion
Roy, Mathieu
Hasboun, Dominique
Baulac, Michel
Peretz, Isabelle
机构
[1] Univ Montreal, Dept Psychol, Montreal, PQ H3C 3J7, Canada
[2] CHU Pitie Salpetriere, Dept Epilepsy, Paris, France
[3] CHU Pitie Salpetriere, CNRS, UPR 640, LENA, Paris, France
[4] CHU Pitie Salpetriere, Hop La Pitie Salpetriere, Dept Neuroradiol, Paris, France
[5] CHU Pitie Salpetriere, INSERM 739, Paris, France
[6] Univ Lille 3, Villeneuve Dascq, France
[7] CALTECH, Div Humanities & Social Sci, Pasadena, CA 91125 USA
关键词
emotions; epilepsy; dissonance; music; parahippocampal cortex;
D O I
10.1093/brain/awl240
中图分类号
R74 [神经病学与精神病学];
学科分类号
摘要
Music is typically a pleasurable experience. But under certain circumstances, music can also be unpleasant, for example, when a young child randomly hits piano keys. Such unpleasant musical experiences have been shown to activate a network of brain structures involved in emotion, mostly located in the medial temporal lobe: the parahippocampal gyrus, amygdala, hippocampus and temporal pole. However, the differential roles of these regions remain largely unknown. In this study, pleasant and unpleasant music was presented to 17 patients with variable excisions of the medial temporal lobe, as well as to 19 matched controls. The pleasant music corresponded to happy and sad selections taken from the classical instrumental repertoire; the unpleasant music was the dissonant arrangement of the same selections. Only patients with substantial resections of the left or right parahippocampal cortex (PHC) gave highly abnormal judgements to dissonant music; they rated dissonant music as slightly pleasant while controls found it unpleasant. This indifference to dissonance was correlated with the remaining volume in the PHC, but was unrelated to the volume of the surrounding structures. The impairment was specific: the same patients judged consonant music to be pleasant, and were able to judge music as happy or sad. Furthermore, this lack of responsiveness to unpleasantness was not due to a perceptual disorder, because all patients were able to detect intentional errors in the musical excerpts. Moreover, the impairment differed from that induced by amygdala damage alone. These findings are consistent with a two-dimensional model of defensive responses to aversive stimuli, in which the PHC and the amygdala subserve different roles.
引用
收藏
页码:2585 / 2592
页数:8
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