BEING TOGETHER IN TIME: MUSICAL EXPERIENCE AND THE MIRROR NEURON SYSTEM

被引:236
作者
Overy, Katie [1 ]
Molnar-Szakacs, Istvan [2 ]
机构
[1] Univ Edinburgh, Inst Mus Human & Social Dev, Sch Arts Culture & Environm, Edinburgh EH8 9DF, Midlothian, Scotland
[2] Univ Calif Los Angeles, Los Angeles, CA USA
来源
MUSIC PERCEPTION | 2009年 / 26卷 / 05期
关键词
emotion; insula; imitation; therapy; motor; MELODIC INTONATION THERAPY; INFERIOR FRONTAL GYRUS; ACTION REPRESENTATION; EMOTIONAL RESPONSES; ACTION RECOGNITION; PARS OPERCULARIS; MOTOR; AUTISM; IMITATION; EMPATHY;
D O I
10.1525/MP.2009.26.5.489
中图分类号
J6 [音乐];
学科分类号
摘要
THE DISCOVERY OF INDIVIDUAL "MIRROR NEURONS" in the macaque brain that fire both when an action is executed and when that same action is observed or heard, and of a homologous system in humans, is leading to an extraordinary conceptual shift in our understanding of perception-action mechanisms, human communication, and empathy. In a recent model of emotional responses to music (Molnar-Szakacs & Overy, 2006), we proposed that music is perceived not only as an auditory signal, but also as intentional, hierarchically organized sequences of expressive motor acts behind the signal; and that the human mirror neuron system allows for corepresentation and sharing of a musical experience between agent and listener. Here, we expand upon this model of Shared Affective Motion Experience (SAME) and discuss its implications for music therapy and special education. We hypothesize that imitation, synchronization, and shared experience may be key elements of successful work in these areas.
引用
收藏
页码:489 / 504
页数:16
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