Covert digital manipulation of vocal emotion alter speakers' emotional states in a congruent direction

被引:39
作者
Aucouturier, Jean-Julien [1 ]
Johansson, Petter [2 ,3 ]
Hall, Lars [2 ]
Segnini, Rodrigo [4 ]
Mercadie, Lolita [5 ,6 ]
Watanabe, Katsumi [7 ,8 ]
机构
[1] Univ Paris 06, IRCAM, CNRS, STMS,UMR9912, F-74005 Paris, France
[2] Lund Univ, Lund Univ Cognit Sci, S-22100 Lund, Sweden
[3] Uppsala Univ, Swedish Coll Adv Study, S-75238 Uppsala, Sweden
[4] Siemens Healthcare, Tokyo 1418644, Japan
[5] Nippon Telegraph & Tel NTT Corp, Commun Sci Labs, Yokohama, Kanagawa 2430198, Japan
[6] Univ Bourgogne, CNRS, LEAD, UMR5022, F-21000 Dijon, France
[7] Waseda Univ, Fac Sci & Engn, Dept Intermedia Art & Sci, Tokyo 1698555, Japan
[8] Univ Tokyo, Res Ctr Adv Sci & Technol, Tokyo 1538904, Japan
基金
欧洲研究理事会; 瑞典研究理事会;
关键词
emotion monitoring; vocal feedback; self-perception; digital audio effects; voice emotion; FACIAL FEEDBACK; SENSORIMOTOR; RESPONSES; PROSODY;
D O I
10.1073/pnas.1506552113
中图分类号
O [数理科学和化学]; P [天文学、地球科学]; Q [生物科学]; N [自然科学总论];
学科分类号
070301 [无机化学]; 070403 [天体物理学]; 070507 [自然资源与国土空间规划学]; 090105 [作物生产系统与生态工程];
摘要
Research has shown that people often exert control over their emotions. By modulating expressions, reappraising feelings, and redirecting attention, they can regulate their emotional experience. These findings have contributed to a blurring of the traditional boundaries between cognitive and emotional processes, and it has been suggested that emotional signals are produced in a goal-directed way and monitored for errors like other intentional actions. However, this interesting possibility has never been experimentally tested. To this end, we created a digital audio platform to covertly modify the emotional tone of participants' voices while they talked in the direction of happiness, sadness, or fear. The result showed that the audio transformations were being perceived as natural examples of the intended emotions, but the great majority of the participants, nevertheless, remained unaware that their own voices were being manipulated. This finding indicates that people are not continuously monitoring their own voice to make sure that it meets a predetermined emotional target. Instead, as a consequence of listening to their altered voices, the emotional state of the participants changed in congruence with the emotion portrayed, which was measured by both self-report and skin conductance level. This change is the first evidence, to our knowledge, of peripheral feedback effects on emotional experience in the auditory domain. As such, our result reinforces the wider framework of self-perception theory: that we often use the same inferential strategies to understand ourselves as those that we use to understand others.
引用
收藏
页码:948 / 953
页数:6
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