ABSOLUTE PITCH - ELECTROPHYSIOLOGICAL EVIDENCE

被引:12
作者
BARNEA, A
GRANOT, R
PRATT, H
机构
[1] TECHNION ISRAEL INST TECHNOL,EVOKED POTENTIALS LAB,IL-32000 HAIFA,ISRAEL
[2] HEBREW UNIV JERUSALEM,DEPT MUSICOL,JERUSALEM,ISRAEL
关键词
ABSOLUTE PITCH; RELATIVE PITCH; EVOKED POTENTIALS; MUSIC PERCEPTION;
D O I
10.1016/0167-8760(94)90039-6
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
People who have the ability to label or to produce notes without any reference are considered to possess Absolute Pitch (AP). Others, who need a reference in order to identify the notes, possess Relative Pitch (RP). The AP ability is assumed to reflect a unique, language-like representation of non-lexical musical notes in memory. The purpose of this study was to examine this assumption by comparing Event Related Potentials (ERP) of musicians with and without AP, to lexical and non-lexical representation of musical material. Subjects were eighteen young adult musicians. Seven were AP and eleven RP. Auditory stimuli, presented through earphones, were piano notes (non-lexical) or a voice saying the note's name (lexical). Visual stimuli, presented on a computer display were note symbols (non-lexical) or letters (lexical). Subjects performed a number of tasks, combining the two modalities (visual and auditory) and stimulus types (lexical and non-lexical), and reaction times (RT), performance accuracy and evoked potentials were recorded. The tasks forced the subjects to transfer mental representations of musical material from one mode to another. Our most important findings were the differences, between groups, in the scalp distribution of P300 amplitudes. We conclude that absolute pitch possessors use the same internal language as relative pitch possessors, when possible, but the distribution of the underlying brain activity is different between AP and RP subjects.
引用
收藏
页码:29 / 38
页数:10
相关论文
共 18 条
[1]  
BARNEA A, 1993, IN PRESS INT J NEURO
[2]  
BENNGUEREL AP, 1991, MUSIC PERCEPT, V9, P105
[3]   TONES AND NUMBERS - SPECIFICITY OF INTERFERENCE IN IMMEDIATE MEMORY [J].
DEUTSCH, D .
SCIENCE, 1970, 168 (3939) :1604-&
[4]  
Deutsch D., 1982, PSYCHOL MUSIC
[5]   IS THE P300 COMPONENT A MANIFESTATION OF CONTEXT UPDATING [J].
DONCHIN, E ;
COLES, MGH .
BEHAVIORAL AND BRAIN SCIENCES, 1988, 11 (03) :357-374
[6]  
FRISINA RD, 1988, PSYCHOMUSICOLOGY, V7, P99
[7]  
HANTZ EC, 1992, MUSIC PERCEPT, V10, P25
[8]   PEOPLE WITH ABSOLUTE PITCH PROCESS TONES WITHOUT PRODUCING A P300 [J].
KLEIN, M ;
COLES, MGH ;
DONCHIN, E .
SCIENCE, 1984, 223 (4642) :1306-1309
[9]   WAVE FORM VARIATIONS IN AUDITORY EVENT-RELATED POTENTIALS-EVOKED BY A MEMORY-SCANNING TASK AND THEIR RELATIONSHIP WITH TESTS OF INTELLECTUAL FUNCTION [J].
PELOSI, L ;
HOLLY, M ;
SLADE, T ;
HAYWARD, M ;
BARRETT, G ;
BLUMHARDT, LD .
ELECTROENCEPHALOGRAPHY AND CLINICAL NEUROPHYSIOLOGY, 1992, 84 (04) :344-352
[10]   BRAIN POTENTIALS IN A MEMORY-SCANNING TASK .1. MODALITY AND TASK EFFECTS ON POTENTIALS TO THE PROBES [J].
PRATT, H ;
MICHALEWSKI, HJ ;
BARRETT, G ;
STARR, A .
ELECTROENCEPHALOGRAPHY AND CLINICAL NEUROPHYSIOLOGY, 1989, 72 (05) :407-421