COMPARISON OF THE EFFECT OF ONSET ASYNCHRONY ON AUDITORY GROUPING IN PITCH MATCHING AND VOWEL IDENTIFICATION

Previous experiments have shown that when a slightly mistuned harmonic of a complex tone starts more than about 80 msec before the remaining components, it makes a reduced contribution to the pitch of the complex. This contribution decreases to zero by about 300-msec onset asynchrony In vowel perception, however, analogous experiments have shown that a much shorter asynchrony (around 40 msec) is enough to ensure that a component does not influence a vowel's phonemic category. The three experiments reported here demonstrate that this difference in the utility of onset time as a grouping cue does not arise because of differences in stimulus structure, but rather is due to the perceptual task. They show that the onset asynchrony needed in a pitch-matching experiment to remove the contribution that a mistuned component makes to the pitch of a vowel is the same as that needed to remove the contribution to the pitch of a flat-spectrum complex tone. They further show that a much smaller onset asynchrony is needed to perceptually remove the same harmonic from a vowel for the calculation of vowel quality. The implication of this result for models of auditory grouping is discussed.