FORMANT TUNING IN A PROFESSIONAL BARITONE

被引:20
作者
MILLER, DG [1 ]
SCHUTTE, HK [1 ]
机构
[1] SYRACUSE UNIV,SCH MUS,DEPT VOICE,SYRACUSE,NY 13210
关键词
D O I
10.1016/S0892-1997(05)80018-9
中图分类号
R36 [病理学]; R76 [耳鼻咽喉科学];
学科分类号
100104 ; 100213 ;
摘要
Formant tuning, or using vowel modification to approximate one or both of the two lowest resonances of the vocal tract to harmonics of the glottal source, is a technique advocated by certain pedagogies of singing. In this experiment, two sung phonations of a professional baritone are examined for evidence of the tuning by simultaneous recording of audio, electroglottographic (EGG), and subglottal and supraglottal pressures by means of wideband miniature pressure transducers on a catheter passed through the glottis. The considerable resonance-enhancing effects of formant tuning appear to be intentionally exploited by the singer in response to the demands of the musical phrase. © 1990 Raven Press, Ltd., New York.
引用
收藏
页码:231 / 237
页数:7
相关论文
共 11 条
[1]  
Sundberg, Acoustics of the singing voice, Sci Am, 236, pp. 82-91, (1977)
[2]  
Borden, Harris, Speech science primer. Physiology, acoustics, and perception of speech, (1980)
[3]  
Sundberg, The science of the singing voice, 41, (1987)
[4]  
Sundberg, Observations on a professional soprano singer, Speech Transmission Laboratory Quarterly Progress and Status Report, 14, pp. 14-24, (1973)
[5]  
Miller, Some observations on the soprano voice, Nature, pp. 12-15, (1987)
[6]  
Schutte, Miller, The effect of F<sub>0</sub>/F<sub>1</sub> coincidence in soprano high notes on pressure at the glottis, Journal of Phonetics, 14, pp. 385-392, (1986)
[7]  
Oncley, Dual Concept of singing registers, Vocal registers in singing, pp. 35-44, (1973)
[8]  
Coffin, Overtones of bel canto. The phonetic basis of artistic singing, (1980)
[9]  
Roederer, Introduction to the physics and psychophysics of music, (1975)
[10]  
Miller, Schutte, Characteristic patterns of sub- and supra-glottal pressure variations within the glottal cycle, Transcripts of the XIIIth Symposium: Care of the Professional Voice, pp. 70-75, (1984)