TONAL CONSONANCE AND CRITICAL BANDWIDTH

[1] [Anonymous], 1961, RECLAMEBLAD WEEK MOR, P2

[2] Cazden N, 1945, J AESTHET ART CRITIC, V4, P3

[3] CREW H, 1963, DIALOGUES CONCERNING, P100

[4] CROSS CR, 1893, P AM ACAD ARTS SCI, V19, P1

[5] GALILEI G, 1938, DISCORSI DIMOSTRAZIO

[6] The role of consonance and dissonance in music [J]. AMERICAN JOURNAL OF PSYCHOLOGY, 1928, 40 : 173 - 204

[7] The fusion of non-musical intervals [J]. AMERICAN JOURNAL OF PSYCHOLOGY, 1928, 40 : 624 - 625

[8] HUSMANN H, 1953, WESEN KONSONANZ

[9] Kaestner G., 1909, PSYCHOL STUDIEN, V4, P473

[10] Krueger F., 1910, PSYCHOL STUD, V5, P294

[1] [Anonymous], 1961, RECLAMEBLAD WEEK MOR, P2

[2] Cazden N, 1945, J AESTHET ART CRITIC, V4, P3

[3] CREW H, 1963, DIALOGUES CONCERNING, P100

[4] CROSS CR, 1893, P AM ACAD ARTS SCI, V19, P1

[5] GALILEI G, 1938, DISCORSI DIMOSTRAZIO

[6] The role of consonance and dissonance in music [J]. AMERICAN JOURNAL OF PSYCHOLOGY, 1928, 40 : 173 - 204

[7] The fusion of non-musical intervals [J]. AMERICAN JOURNAL OF PSYCHOLOGY, 1928, 40 : 624 - 625

[8] HUSMANN H, 1953, WESEN KONSONANZ

[9] Kaestner G., 1909, PSYCHOL STUDIEN, V4, P473

[10] Krueger F., 1910, PSYCHOL STUD, V5, P294