ON MUSICAL IMPROVISATION

[1] GOODMANS,N LANGUAGES OF ART FROM A MUSICAL POINT OF VIEW [J]. JOURNAL OF PHILOSOPHY, 1970, 67 (16) : 540 - 552

[2] BUKOFZER MF, 1947, MUSIC BAROQUE ERA

[3] CAVELL S, 1976, MUST WE MEAN WHAT WE, P198

[4] Cone Edward T, 1974, COMPOSERS VOICE

[5] DALHAUS C, 1982, ESTHETICS MUSIC

[6] David H. T., 1966, BACH READER

[7] GOODMAN N, 1968, LANGUAGES ART

[8] GROUT DJ, 1980, HISTORY WESTERN MUSI

[9] Hanslick E., 1957, BEAUTIFUL MUSIC

[10] Hindemith P., 1961, COMPOSERS WORLD HORI

[1] GOODMANS,N LANGUAGES OF ART FROM A MUSICAL POINT OF VIEW [J]. JOURNAL OF PHILOSOPHY, 1970, 67 (16) : 540 - 552

[2] BUKOFZER MF, 1947, MUSIC BAROQUE ERA

[3] CAVELL S, 1976, MUST WE MEAN WHAT WE, P198

[4] Cone Edward T, 1974, COMPOSERS VOICE

[5] DALHAUS C, 1982, ESTHETICS MUSIC

[6] David H. T., 1966, BACH READER

[7] GOODMAN N, 1968, LANGUAGES ART

[8] GROUT DJ, 1980, HISTORY WESTERN MUSI

[9] Hanslick E., 1957, BEAUTIFUL MUSIC

[10] Hindemith P., 1961, COMPOSERS WORLD HORI