PERCEPTUAL SPACE FOR MUSICAL STRUCTURES

[1] INTEGRATION THEORY AND ATTITUDE CHANGE [J]. PSYCHOLOGICAL REVIEW, 1971, 78 (03) : 171 - +

[2] [Anonymous], 1971, STAT PRINCIPLES EXPT

[3] CARROLL J, 1973, HDB PERCEPTION, V2

[4] ANALYSIS OF INDIVIDUAL DIFFERENCES IN MULTIDIMENSIONAL SCALING VIA AN N-WAY GENERALIZATION OF ECKART-YOUNG DECOMPOSITION [J]. PSYCHOMETRIKA, 1970, 35 (03) : 283 - &

[5] QUALITY OF PIANO TONES [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1962, 34 (06) : 749 - &

[6] FEATURE SALIENCY AND RECOGNITION MEMORY FOR SCHEMATIC FACES [J]. PERCEPTION & PSYCHOPHYSICS, 1971, 10 (01): : 47 - &

[7] Helmholtz H., 1954, SENSATIONS TONE

[8] JOST E, 1972, AKUSTISCHE PSYCHOMET

[9] KRUSKAL JB, 1971, HOW USE MDSCAL OTHER

[10] TRIADIC COMPARISONS OF MUSICAL INTERVALS [J]. BRITISH JOURNAL OF MATHEMATICAL & STATISTICAL PSYCHOLOGY, 1966, 19 : 163 - &

[1] INTEGRATION THEORY AND ATTITUDE CHANGE [J]. PSYCHOLOGICAL REVIEW, 1971, 78 (03) : 171 - +

[2] [Anonymous], 1971, STAT PRINCIPLES EXPT

[3] CARROLL J, 1973, HDB PERCEPTION, V2

[4] ANALYSIS OF INDIVIDUAL DIFFERENCES IN MULTIDIMENSIONAL SCALING VIA AN N-WAY GENERALIZATION OF ECKART-YOUNG DECOMPOSITION [J]. PSYCHOMETRIKA, 1970, 35 (03) : 283 - &

[5] QUALITY OF PIANO TONES [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1962, 34 (06) : 749 - &

[6] FEATURE SALIENCY AND RECOGNITION MEMORY FOR SCHEMATIC FACES [J]. PERCEPTION & PSYCHOPHYSICS, 1971, 10 (01): : 47 - &

[7] Helmholtz H., 1954, SENSATIONS TONE

[8] JOST E, 1972, AKUSTISCHE PSYCHOMET

[9] KRUSKAL JB, 1971, HOW USE MDSCAL OTHER

[10] TRIADIC COMPARISONS OF MUSICAL INTERVALS [J]. BRITISH JOURNAL OF MATHEMATICAL & STATISTICAL PSYCHOLOGY, 1966, 19 : 163 - &