RESIDUE PITCH AS A FUNCTION OF COMPONENT SPACING

[1] BILSEN FA, 1969, ACUSTICA, V22, P63

[2] Dallos P., 1973, AUDITORY PERIPHERY B, V1

[3] DEBOER E, 1956, THESIS U AMSTERDAM

[4] OPTIMUM PROCESSOR THEORY FOR CENTRAL FORMATION OF PITCH OF COMPLEX TONES [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1973, 54 (06) : 1496 - 1516

[5] CENTRAL ORIGIN OF PITCH OF COMPLEX TONES - EVIDENCE FROM MUSICAL INTERVAL RECOGNITION [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1972, 51 (02) : 520 - +

[6] A DUPLEX THEORY OF PITCH PERCEPTION [J]. EXPERIENTIA, 1951, 7 (04): : 128 - 134

[7] EFFECTS OF RELATIVE PHASE AND NUMBER OF COMPONENTS ON RESIDUE PITCH [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1973, 53 (06) : 1565 - 1572

[8] EAR AS FREQUENCY ANALYZER [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1964, 36 (09) : 1628 - &

[9] FREQUENCIES DOMINANT IN PERCEPTION OF PITCH OF COMPLEX SOUNDS [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1967, 42 (01) : 191 - &

[10] SCHARF B, 1970, F MODERN AUDITORY TH, V1

[1] BILSEN FA, 1969, ACUSTICA, V22, P63

[2] Dallos P., 1973, AUDITORY PERIPHERY B, V1

[3] DEBOER E, 1956, THESIS U AMSTERDAM

[4] OPTIMUM PROCESSOR THEORY FOR CENTRAL FORMATION OF PITCH OF COMPLEX TONES [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1973, 54 (06) : 1496 - 1516

[5] CENTRAL ORIGIN OF PITCH OF COMPLEX TONES - EVIDENCE FROM MUSICAL INTERVAL RECOGNITION [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1972, 51 (02) : 520 - +

[6] A DUPLEX THEORY OF PITCH PERCEPTION [J]. EXPERIENTIA, 1951, 7 (04): : 128 - 134

[7] EFFECTS OF RELATIVE PHASE AND NUMBER OF COMPONENTS ON RESIDUE PITCH [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1973, 53 (06) : 1565 - 1572

[8] EAR AS FREQUENCY ANALYZER [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1964, 36 (09) : 1628 - &

[9] FREQUENCIES DOMINANT IN PERCEPTION OF PITCH OF COMPLEX SOUNDS [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1967, 42 (01) : 191 - &

[10] SCHARF B, 1970, F MODERN AUDITORY TH, V1