PERCEPTUAL EVALUATIONS OF SYNTHESIZED MUSICAL INSTRUMENT TONES

[1] BEAUCHAMP JW, 1975, J AUDIO ENG SOC, V23, P778

[2] BEAUCHAMP JW, 1969, MUSIC COMPUTERS

[3] SOME FACTORS IN RECOGNITION OF TIMBRE [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1964, 36 (10) : 1888 - &

[4] Carroll J. D, 1970, PSYCHOMETRIKA, V35, P238, DOI DOI 10.1007/BF02310791

[5] FREEDMAN MD, 1968, J AUDIO ENG SOC, V16, P419

[6] ANALYSIS OF MUSICAL INSTRUMENT TONES [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1967, 41 (4P1) : 793 - &

[7] Luce D, 1963, THESIS MIT

[8] MOORER JA, 1975, STANM3 STANF U DEP M

[9] MOORER JA, 1974, IEEE T ACOUST SPEECH, V22, P303

[10] MOORER JA, 1976, 1146 AUD ENG SOC PRE

[1] BEAUCHAMP JW, 1975, J AUDIO ENG SOC, V23, P778

[2] BEAUCHAMP JW, 1969, MUSIC COMPUTERS

[3] SOME FACTORS IN RECOGNITION OF TIMBRE [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1964, 36 (10) : 1888 - &

[4] Carroll J. D, 1970, PSYCHOMETRIKA, V35, P238, DOI DOI 10.1007/BF02310791

[5] FREEDMAN MD, 1968, J AUDIO ENG SOC, V16, P419

[6] ANALYSIS OF MUSICAL INSTRUMENT TONES [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1967, 41 (4P1) : 793 - &

[7] Luce D, 1963, THESIS MIT

[8] MOORER JA, 1975, STANM3 STANF U DEP M

[9] MOORER JA, 1974, IEEE T ACOUST SPEECH, V22, P303

[10] MOORER JA, 1976, 1146 AUD ENG SOC PRE