PERCEPTION OF INTERLEAVED MELODIES

[1] Alan Merriam., 1964, ANTHR MUSIC

[2] PRIMARY AUDITORY STREAM SEGREGATION AND PERCEPTION OF ORDER IN RAPID SEQUENCES OF TONES [J]. JOURNAL OF EXPERIMENTAL PSYCHOLOGY, 1971, 89 (02): : 244 - &

[3] BREGMAN AS, 1971, PRIMARY AUDITORY STR

[4] RHYTHMIC FISSION AND PERCEPTUAL ORGANIZATION [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1968, 44 (01) : 369 - &

[5] CONTOUR, INTERVAL, AND PITCH RECOGNITION IN MEMORY FOR MELODIES [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1971, 49 (02) : 524 - &

[6] DOWLING WJ, 1967, THESIS HARVARD U

[7] Influence of Experiences on Truth of Figures [J]. PSYCHOLOGISCHE FORSCHUNG, 1926, 8 : 261 - 317

[8] The pitch of tones in melodies as compared with single tones [J]. JOURNAL OF EXPERIMENTAL PSYCHOLOGY, 1937, 20 : 309 - 335

[9] AN EXPERIMENTAL STUDY OF AUDITORY PATTERNS [J]. AMERICAN JOURNAL OF PSYCHOLOGY, 1951, 64 (01) : 68 - 77

[10] JAMES W, 1890, PRINCIPLES PSYCHOLOG, V1

[1] Alan Merriam., 1964, ANTHR MUSIC

[2] PRIMARY AUDITORY STREAM SEGREGATION AND PERCEPTION OF ORDER IN RAPID SEQUENCES OF TONES [J]. JOURNAL OF EXPERIMENTAL PSYCHOLOGY, 1971, 89 (02): : 244 - &

[3] BREGMAN AS, 1971, PRIMARY AUDITORY STR

[4] RHYTHMIC FISSION AND PERCEPTUAL ORGANIZATION [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1968, 44 (01) : 369 - &

[5] CONTOUR, INTERVAL, AND PITCH RECOGNITION IN MEMORY FOR MELODIES [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1971, 49 (02) : 524 - &

[6] DOWLING WJ, 1967, THESIS HARVARD U

[7] Influence of Experiences on Truth of Figures [J]. PSYCHOLOGISCHE FORSCHUNG, 1926, 8 : 261 - 317

[8] The pitch of tones in melodies as compared with single tones [J]. JOURNAL OF EXPERIMENTAL PSYCHOLOGY, 1937, 20 : 309 - 335

[9] AN EXPERIMENTAL STUDY OF AUDITORY PATTERNS [J]. AMERICAN JOURNAL OF PSYCHOLOGY, 1951, 64 (01) : 68 - 77

[10] JAMES W, 1890, PRINCIPLES PSYCHOLOG, V1