Contracts between art and commerce

被引:142
作者
Caves, RE [1 ]
机构
[1] Harvard Univ, Cambridge, MA 02138 USA
关键词
D O I
10.1257/089533003765888430
中图分类号
F [经济];
学科分类号
02 ;
摘要
Contract structures used in the arts and entertainment industries are central to understanding their economic organization. The structures spring from common bedrock traits of these industries-pervasive product differentiation, all costs sunk, consumers' valuations unpredictable, artists having tastes for how creative work is done. Joint-venture structures are common, with revenue (not profit) shared. Advances to artists help bring incentive and distributive goals into consistency, as do long-term contracts covering successive cycles of the artist's output. Real option contracts allow the efficient allocation of decision rights in a project on which collaborators work successively.
引用
收藏
页码:73 / 83
页数:11
相关论文
共 20 条
[1]  
AULETTA K, 1997, NEW YORKER 1006, P50
[2]   ROLE AS RESOURCE IN THE HOLLYWOOD FILM INDUSTRY [J].
BAKER, WE ;
FAULKNER, RR .
AMERICAN JOURNAL OF SOCIOLOGY, 1991, 97 (02) :279-309
[3]  
Bibicoff Hillary, 1991, LOYOLA ENTERTAINMENT, V11, P23
[4]  
CARTER B, 1998, NY TIMES 0115, pA10
[5]  
Carter Bill, 1998, NEW YORK TIMES 1122, pA1
[6]  
Caves RichardE., 2000, Creative Industries: Contracts Between Art and Commerce
[7]   Profit-sharing versus fixed-payment contracts: Evidence from the motion pictures industry [J].
Chisholm, DC .
JOURNAL OF LAW ECONOMICS & ORGANIZATION, 1997, 13 (01) :169-201
[8]  
Getzels J.W., 1976, The creative vision: A longitudinal study of problem finding in art
[9]   The net profits puzzle [J].
Goldberg, VP .
COLUMBIA LAW REVIEW, 1997, 97 (02) :524-550
[10]  
Goldman William, 1984, Adventures in the Screen Trade