Who does what with music videos in Israel

被引：8

作者：

Regev, M ^{[1
]}

机构：

[1] Hebrew Univ Jerusalem, Dept Sociol, IL-91905 Jerusalem, Israel

来源：

POETICS | 1997年 / 25卷 / 04期

关键词：

D O I：

10.1016/S0304-422X(97)00015-6

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

A small-scale ethnographic study of the emergent field of music videos in Israel is presented as a demonstration of the convergence of potentially conflicting interests of various actors. Four cultural logics - organizational isomorphism, professionalization, 'postmodern' artistic critique and claim for artistic recognition - are shown to produce each its specific demand for making more and better Hebrew music videos in Israel. Innovation in the field of popular music is thus explained as stemming not from one dominant cultural logic, but from the convergence of several logics. © 1997 Elsevier Science B.V. All rights reserved.

引用

页码：225 / 240

页数：16

共 55 条

[11] BURGER P, THEORY AVANT-GARDE
[12] Burnett Robert., 1996, The Global Jukebox: The International Music Industry
[13] Buxton David, 1983, TELOS, V1983, P93, DOI [10.3817/0983057093, DOI 10.3817/0983057093]
[14] CARUTH C, 1991, AM IMAGO, V48, P417
[15] Cohen S., 1991, ROCK CULTURE LIVERPO
[16] DENISOFF S, 1988, INSIDE MTV
[17] CLASSIFICATION IN ART
DIMAGGIO, P
[J]. AMERICAN SOCIOLOGICAL REVIEW, 1987, 52 (04) : 440 - 455
[18] Dobbin Frank R., 1994, SOCIOLOGY CULTURE EM, P117
[19] DOWD T, 1996, THESIS PRINCETON U
[20] Dyer Richard., 1986, HEAVENLY BODIES FILM

← 1 2 3 4 5 6 →