TUNE RECOGNITION WITH REDUCED PITCH AND INTERVAL INFORMATION

[21] Plomp R., 1976, ASPECTS TONE SENSATI

[22] FREQUENCIES DOMINANT IN PERCEPTION OF PITCH OF COMPLEX SOUNDS [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1967, 42 (01) : 191 - &

[23] SMOORENBURG GF, 1977, PSYCHOPHYSICS PHYSL

[24] PITCH, CONSONANCE, AND HARMONY [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1974, 55 (05) : 1061 - 1069

[25] THURLOW WR, 1963, PSYCHOL REV, V70, P515

[26] [No title captured]

[27] [No title captured]

[28] [No title captured]

[21] Plomp R., 1976, ASPECTS TONE SENSATI

[22] FREQUENCIES DOMINANT IN PERCEPTION OF PITCH OF COMPLEX SOUNDS [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1967, 42 (01) : 191 - &

[23] SMOORENBURG GF, 1977, PSYCHOPHYSICS PHYSL

[24] PITCH, CONSONANCE, AND HARMONY [J]. JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1974, 55 (05) : 1061 - 1069

[25] THURLOW WR, 1963, PSYCHOL REV, V70, P515

[26] [No title captured]

[27] [No title captured]

[28] [No title captured]